Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | I, Gyeong-myeon | Daseong'eum'ag, eoddeohge deudneunga? Daseong'eum'ag ceongcwi e daehan eum'ag simrihag yeongu. [How do people listen to polyphonic music? Psychological studies on listening to polyphonic music] |
SeoyangEumaghag |
12 | | 2007 |
9-19 |
|
| 2. | I, Nam-jae | Gyohoejo(church keys) e daehayeo. [On church keys] |
SeoyangEumaghag |
13 | | 2007 |
43-65 |
|
| 3. | I, Ga-yeong | Baheu yi ritoreunelro: kantata 8-beon, 180-beon, 1-beon eul jungsim'euro. [Bach's ritornello: Considering the opening choruses of cantatas 8, 180 and 1] |
SeoyangEumaghag |
13 | | 2007 |
67-95 |
|
| 4. | Jeong, Gyeong-yeong | Baheu yi B danjo misa jung Keurucipigsuseu (Crucifixus) e daehan sogo: Eum'ag, gasa, geurigo geu neomeo. [A reflection on Crucifixus from J.S. Bach's B minor mass: Music, text, and beyond them] |
SeoyangEumaghag |
13 | | 2007 |
97-115 |
|
| 5. | Na, Ju-ri | 18-segi hubangi(1750-1800) yi Baheusang. [J.S. Bach's image in the second half of the 18th century] |
SeoyangEumaghag |
14 | | 2007 |
11-32 |
|